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《长平箭头歌（漆灰骨末丹水沙）》原文翻译及赏析_作者李贺漆灰骨末丹水沙凄凄古血生铜花白翎金竿雨中尽直余三脊残狼牙我寻平原乘两马驿东石田蒿坞下风长日短星萧萧黑旗云湿悬空夜左魂右魄啼肌瘦酪瓶倒尽将羊炙虫栖雁病芦笋红回风送客吹阴火访古丸澜收断镞折锋赤璺曾肉南陌东城马上儿劝我将金换竹「备用QQ—950216—」「客服聊天系统—916.tw—」【开户|上分|注册|公司|经理】
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《寒夜（寒夜客来茶当酒）》原文翻译及赏析_作者张耒寒夜客来茶当酒竹炉汤沸火初红寻常一样窗前月才有梅花便不同
《山中雪后（晨起开门雪满山）》原文翻译及赏析_作者郑燮晨起开门雪满山雪晴云淡日光寒檐流未滴梅花冻一种清孤不等闲
《绝句·竹影和诗瘦》原文翻译及赏析_作者王庭筠竹影和诗瘦梅花入梦香可怜今夜月不肯下西厢前两句一从视觉一从嗅觉的角度来描写诗人居处的清幽境界竹和诗一为自然之物一为社会之物二者本无从比较但诗人用一个瘦字把二者紧密地联系在一起竹具有清瘦的形象诗具有清瘦的风格瘦字用得生新为全诗定下了清瘦的意境氛围而入梦香则将现实与梦境联系起来梅花夜间在月光的朗照下也喷出清香已不同凡响而这香气还伴着诗人进入梦乡则香气之浓郁之悠长可以想见将竹与梅这样的自然物象与诗与梦这样的人为之物炼在一句之中这就构成了情在景中景在情中情景混融莫分的高妙意境前两句字面上完全没有月但透过竹影和梅香我们可以感受到月自在其中在后两句中诗人便将月和盘托出可怜者可爱也当诗人信步庭院时月光与竹影梅香是那样的和谐而回到西厢房时这月光却不能下西厢这多么地令人遗憾诗中透露出一股月与人不能互通情愫的遗憾或幽怨的情绪诗人遗憾或幽怨的是什么也许是有情人天各一方不能互通情怀也许是君臣阻隔上下无法沟通也许什么都不是只是诗人置身此时此景之中的一种朦朦胧胧的感受而已
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